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Marvel Masterworks: The Uncanny X-Men Volume 9, by Marvel Comics
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By 1982, the Uncanny X-Men had become the biggest franchise in comic books. Chris Claremont's writing rose to find perhaps his most poignant and challenging expression of the mutant metaphor in "God Loves, Man Kills," while his work with Frank Miller on Wolverine skyrocketed the character's popularity. With the culmination of Paul Smith's classic run - featuring the growing romance between Kitty Pryde and Colossus, the first appearance of Callisto and the Morlocks, Rogue's debut as an X-Man. COLLECTING: Uncanny X-Men (1981) 168-175, X-Men Annual (1970) 7, Marvel Graphic Novel (1982) 5, Wolverine (1982) 1-5
- Sales Rank: #439878 in Books
- Published on: 2015-02-10
- Released on: 2015-02-10
- Original language: English
- Number of items: 1
- Dimensions: 10.50" h x 1.25" w x 7.50" l, 2.61 pounds
- Binding: Hardcover
- 432 pages
Most helpful customer reviews
10 of 10 people found the following review helpful.
"To Have and Have Not"
By C H.
"There is no answer to such hatred. It exists, as we do." Nightcrawler: "God Loves, Man Kills"
Short review: If you just want to hear this Marvel Masterworks is "good" then you can be rest assured it is better than that. Much, much better. This collection is great. However, if you want to dig deeper into these books then keep on reading because these books are my "Old Man in the Sea", my "East of Eden", heck, my "War and Peace" and I can't just say "good," when there is so much more to be said about some of the most brilliant stories (of this still underrated medium) written by a true modern master: Chris Claremont.
This is the Event Horizon, from here on out I won't apologize for this self-indulgent, nostalgia ridden nerd fest.
Loooong review: Full disclosure here, I am (obviously) 110 percent biased on this Masterworks collection because it contains some of my favorite comics of "The Uncanny X-Men". In fact these issues are what made me fall in love with the X-Men as a little kid and even though the series has had its up and downs over the years (and I'm not nearly as big of fan, or a reader, of the X-Men as I used to be) the issues collected in this book made me a fan of the X-Men for life. I will never be able to write the X-Men off completely because these well crafted issues revealed to me what heroes could, and should, be.
At the time these books were published they were the best selling book on the market and that was by no accident. It was because they were the best team ever assembled. Not the most powerful team ever assembled the best "team" ever assembled. Just by the mere fact that these X-Men all needed each other as a group, not just to function, but, to survive. This was thanks, in no small part, to how they were being written by Claremont at the time.
I know nobody cares, but since I'm full on nerding-out anyway, the Defenders team around this era were a close second. Just an opinion, not fact (even though it's true;).
I actually bought these individual issues either at my local comic shop or pulled them off a 7-11 spin rack (where the issues were bent in the middle and smelled of smoke) back when I was a kid in the early 80s. So, here we are 33 years later (gasp! time really does fly by) and now these issues are getting the quality hard cover binding and paper that they deserve.
These issues have all had new releases/printings before. "God Loves, Man Kills" has had two new printings in 1994 and in 2003. The Wolverine limited series by itself as a trade in 1987 and then the Uncanny issues in the "From the Ashes" trade in 1990 that threw in iss. #176 (which is not included in this volume) and then again in the Essentials TPB in 2006 (Uncanny #'s 162-179, Ann. #7 and "GL,MK") that represent the books in black and white. But, sorry, I hate the Essentials collections unless the original source material was b+w to begin with.
Everything in this book is good to great level (there may be some weak areas but not many) but compared to anything at the time in the mainstream Marvel there was nothing better happening, trust me. "Dark Knight Returns" and "Watchmen" (yes, I know, DC) are WAY off in the horizon at the time, even "TMNT" (again, I know, not Marvel) and "DD: Born Again” were years after these X-Men issues. I don't even think Miller's work on Daredevil (which, I know, inspired TMNT) was as good or as polished, neither as an artist nor as a writer, so as to even be compared to Claremont at this time. So, that made Claremont the king of writing in the early 80's (okay, maybe just the prince because of Alan Moore;) he already had the "Proteus" storyline under his belt, "The Dark Phoenix Saga" and let us not forget "Days of Future Past". Then he went and did this thing where he wrote the best Marvel Graphic Novel (yes, even better than "The Death of Captain Marvel") and he started the (Marvel) limited series, for better or for worse, with Wolverine. Well, all Marvel limited series were worse except the "Thanos Quest" (and other (early) Starlin limited series), however, "Wolverine" itself was a great limited series that tied into Uncanny issues #172 and #173 which are still some of the best issues ever done by Marvel to this day.
The Graphic Novel "God Loves, Man Kills" is first in this Masterworks collection and even though it is downsized from its original presentation it still reads well. I'll admit the art, to me, was never that great in "GL,MK," although I'll also admit that the art gave the story a certain weight that other artists might not have been able to bring to the book and Brent Eric Anderson is, overall, a good storyteller. There are spots though for criticism.
Look at page 38 where Anne the Purifier is hit with a knife in the shoulder by a common street thug, an Arab is all set to shoot her, then he and the rest of his gang of thugs who were just about to shoot and attack Anne are just dead all of a sudden without any type of explanation! And there are many panel overlaps in Anderson's work where, if you weren't an accomplished comic book reader the sequential order is way off. Example: Pg. 8 where Stryker's head on panel 8 overlaps onto panel 5! There are other mishaps like this but those are the most egregious that stand out to me.
Besides these knitpicks "God Loves, Man Kills" is one of the most powerful things Marvel has ever produced, and that Claremont has ever written, because it shows us that hatred just breeds more hatred. For the X-Men to overcome their antagonists (who are genocidal ideologs called Crusaders/Purifiers) they must treat them with the "humanity" that Stryker’s ilk profess to possess, but so obviously fundamentally lacked. The X-Men had to defeat Stryker's perverse ministry/regime not just phsically, but in the world of ideas and the mind. There is something so telling and pervasive about what that actually says about the world that it cannot be expressed in just words. But, I'll try anyway. The Uncanny X-Men symbolically/fictitiously represent the oppressed outsider/minority well here, as they always have. Claremont's wonderful story encapsulates much of what is very wrong (Stryker/hate) with the world and what is very right (X-Men/love) about our world. Claremont shows us it is easier to hate than to love, because hatred is about ourselves, love is about somebody else. In this world, unfortunately, there aren't too many people who love outside of themselves. I'm as guilty of this, at times, as anybody else. Not pointing any fingers here a' all, dear reader.
"God Loves, Man Kills" also shows us how ideologies are easy to corrupt (not just Christianity that was used in this story) but all of them. If your ideology, or leader, is telling you to kill innocents, or any and all that do not think exactly like you, well, then your ideology needs new ideas and new leaders. Magneto is interesting here as well, because he, for all his legitimate complaints and rationale, is really just the Stryker of mutants. Showing us that hate, unfortunately, is almost like energy. It never seems to be destroyed completely, it just seems to recycle. Admittedly, Magneto is absolutely on his best behavior here and that is because if he did what he was actually capable of the X-Men and mutants might still be fighting Stryker's Crusaders/Purifiers to this day (I mean non-stop since 1982) by making a martyr of him.
My interpretation of what Claremont was trying to say to us in "GL,MK" is that genocide doesn't make you right it just leaves you with the decision of what to wipe out next that isn't like you. There will always be something left to destroy that is different than you as long as things, and people, exist that aren't you. Genocide doesn't end until we are all gone and instead of solving conflicts it just causes more.
I will also buffer this by saying/writing this "God created man, Sam Colt made all men equal," because we don't have super powers in this world and high ideals, unfortunately, aren't bulletproof (or even Drone proof;) and as long as the Stryker's of the world exist it is our duty to stop them (in essence we must "become" the X-Men, (without the tights and powers):) and still retain our humanity in the process. That's all.
I will also say this, with all my bravado of saying how things should be, I wonder how any of us would feel if there actually were super powered beings in our midst? Would you feel safer? Or, would you be carving out Kryptonite (again with the DC;) bullets? Just saying.
All these issues are dealt with in a "mere" comic book you say? Yeah, you're damn right they are. One of the finest comics (sigh, okay, "graphic novels" if that helps) ever written.
'Nuff said.
Fortunately, the story of "GL,MK" is still strong and as poignant as it was at the time. Although maybe the impact is lessened a little by Claremont's much later "Mutant Massacre" storyline which seems to me was just a blending of the Morlocks storyline and "GL,MK" to a weaker effect. For that reason "Mutant Massacre" always felt lesser to me. Also worth mentioning "GL,MK" went on to somewhat influence a movie, but I just don't have the strength to get into all that.
Moving on, then the Uncanny issues begin with #168 with Kitty p.o.'ed at Prof. X because he thinks she should join the New Mutants because of her age. The "PROFESSOR XAVIER IS A JERK!" now iconic Kitty Pryde splash page still makes me maybe not lol but it does maybe make me chuckle after all these years. In any case (SPOILER!!!) Kitty doesn't join the New Mutants and is put on probationary status on the X-Men's roster by the Prof.
Then Claremont takes us down into the tunnels with the Morlocks for the first time in iss. #169 and included in the back is an unused cover to iss. #169, which is nice, but the actual cover used is superior.
Then this sets Storm's character down the path, in iss. #170, to transform her from a fairly innocent elemental into a knife wielding, leather wearing, mohawked street fighter for some strange reason that I still don't really care for to this day. I would compare Storm's character transformation as a reverse metamorphosis. Almost like a butterfly turning back into a caterpillar. But, everybody wears just black (maybe not leather) clothes at some point in their life, but usually during puberty. I guess Ororo just went through some stuff (mentally) she wasn't able to handle later on in life. Physically she was all there though. Va-va-va-voom! Sorry about that. Honestly, I just wish Colossus would have punched Callisto in her stupid face and had been done with it. But that's just me.
Then we cut to the "Wolverine" limited series, just as it was meant to be read for continuity. Like I said before Miller wasn't really "Miller" yet in this or it could be Rubenstein's inks just didn't match up to Miller's art. Nothing against Rubenstein, he was a great inker, but, he was old school even though this was done in the old school. Then look at the cover to the TPB of "Wolverine" and imagine if the interiors had looked like that! That's all I'm saying. What if: Frank Miller (or Klaus Janson) had inked his own work on the Wolverine limited series? In any case the climatic sword fight to this series is awesome in iss. #4 which then influenced, and went on to be perfected by, Paul Smith in Uncanny #173 with the epic showdown between Wolverine and Silver Samurai.
I know this is blasphemy but iss. #171, where Rogue joins the team, is my least favorite issue. Walt Simonson is a genius, but I find his women harsh looking. Don't get me wrong, his work on Thor can't be touched, but, I just wasn't a fan of his X-Men. However, Rogue joining the team issue is "pretty good" overall issue even though, like I said before, it is still my least favorite.
Which leads us into Uncanny issues #172 and #173 (best.cover.ever): Wolverine and Rogue (who he still doesn't trust yet) in Japan! Some of the best reading and art you'll ever see in the medium. Issue #172 is called "Scarlet in Glory". Wolverine's getting married to Mariko and the X-Men go to Tokyo for the wedding. Things don't go so good. Also, Storm continues her descent (after meeting a former stalker/wannabe lover of Wolverine named Yukio) towards bad clothes and even worse hair. It is still possibly the most horrific thing to happen to the X-Men since the Sentinels.
Then Wolverine and Rogue fight a Viper, a Silver Samurai, Yakuza and ninjas, oh, my! Rogue finally proves herself to Wolverine by almost dying for him, the X-Men and Mariko. That's all you ever have to do to gain Wolverine's trust, almost die for him, no biggie. Wolverine pays Rogue back in kind though by letting her absorb his healing factor. Fun fact the original title for issue #173 was going to be "Tag---You're Dead!" and ended up being changed to "To Have and Have Not". This actually was a good change because it was more fitting to the story. Again these issues, and parts of the Wolverine limited series, inspired a film. Not completely horrible, but, here again, I don't have the strength to get into it.
Chris Claremont gets the acclaim but you don't hear too much about ol' Paul Smith. I guess because Byrne and J.R.JR had such long runs on the Uncanny book, but for my money Paul Smith's deceptively "simple" artwork is my personal favorite run on the book. And just like Austin's inking for Byrne, Bob Wiacek slick inks for Smith need some praising here as well.
Issues #174 and #175 I really enjoyed too, but it was because of these issues they made me go back and buy and read the older Byrne/ Uncanny X-Men books back in the late 70s early 80s that I missed out on, because I was too young when they originally hit the racks. All back issue X books were wall books even back then. They were 5 to 10 dollars! Lol. That was a lot to a kid back then. Anyway, then I realized that the Mastermind storyline was really similar to the stuff Claremont was writing back in "Hellfire Club"/"Dark Phoenix Saga" with minor tweaking. Still good though. Iss. #175 is the passing of the torch/transitioning of Paul Smith's art to J.R.JR's run on the book which was one of my favorites (in spots) as well.
Annual #7 has art by Michael Golden (and by tons of others) and by future New Mutants artist Bret Blevins. The opening baseball sequence to Annual #7 reminds me of a future Uncanny Rick Leonardi iss. (another great fill-in artist for the X books) that came out years later, an obvious influence/homage to Golden.
I bought the limited, marbled, gold embossed variant of this volume (for much cheaper btw) somewhere else. But, I don't think you need to wait and save your shekels for this collection as it has tons of material (a graphic novel, a 4 issue limited series, an annual and 8 regular issues!) and a few nice extras at the end which are well worth it. Neal Adams was set to do "God Loves, Man Kills" and then backed out. His pencils for "GL,MK" are included in this volume. Buy it at full price and you're still getting a bargain with a whopping 430+ pages!
Like I said I'm completely biased, but if you're a comic fan, or even just an X-Men fan, this is my top read for almost all. Thanks for reading (if you were able to make it through my ramblings, you get the treasured no prize) and keep collecting.
5 of 6 people found the following review helpful.
Classic period of Uncanny
By Dan Pace (feral atom)
For those that won't read past the spoiler alert, this is an exceptionally well-done Masterworks and is a must-buy to any Marvel fan.
Possible spoiler alert: This volume represents one of the better X-men periods, with many plot lines established here that have been echoed throughout later X-men stories: wolverine as the ronin seeking redemption, the first reincarnation of the phoenix, rogue redeemed, the hard-edge of Storm (and her new look), Kitty Pride's second solo adventure, introduction of Illyana's soulsword, first appearances of Madeline Pryor and the events that eventually lead up to Inferno, and a graphic novel mixing religious extremism, anti-mutant racism and terrorism.
The graphic novel reproduction looks great, with Brent Anderson and Steve Oliff's art richly printed, but the real star of this Masterwork is Paul Smith's art. The slick pages really makes his crisp and simple lines shine. The oversized #175 is the pinnacle of his work here, with the last 9 pages debuting John Romita Jr's run on the X-men. Walt Simonson pencils Rogue's first issue as a hero (the rest of the X-men don't exactly greet her with open arms). This issue also has Illyana first drawing her soulsword.
On top of those artists, this volume also contains Frank Miller's Wolverine mini-series and Michael Golden's Annual 7, guest-starring Impossible Man, Nick Fury, Dum Dum, Shanna, Ka-zar, She-Hulk, Iron Man, Dr Strange, the Marvel Bullpen and Lilandra. Done a bit in the style of Not Brand Ecch or What The-?, this Annual was done during the zany Assistant Editor's month, when all the rules were broken. Nearly every page is finished by a different inker. giving great insight into the impact an inker can have on a penciler.
Also appearing in this volume are the Sidrian Hunters, the Morlocks, the Hand, Silver Samurai, Viper, and the mastermind behind the whole reincarnation of Phoenix.
For extras, Neil Adams' fantastic original pencils for the first six pages of God Loves, Man Kills are included, along with an unused Paul Smith cover, two Art Adams covers, a Bill Sienkiewicz cover, an Adam Hughes cover (not full-sized), a pin-up, tpb cover and original art cover from Frank Miller. And that's not all... you also get an intro from Louise Simonson, Intro from Chris Claremont from the Graphic Novel reprint, intro from Claremont and Afterward from Frank Miller from the Wolverine tpb.
At 400+ pages and chock full of the talented artists and great stories, this Masterwork will stand the test of time and is a must-have!
5 of 6 people found the following review helpful.
Laugh, Cry, and Cheer with Some of the Best X-Men Issues Ever Written
By S. H. Wells
Collecting: God Loves, Man Kills (Graphic Novel)
--Uncanny X-Men #168-175
--X-Men Annual #7
--Wolverine (1982) #1-4
Bonus: 6 pages of Neal Adams alternate artwork for "God Loves, Man Kills"
--Claremont intro for 2003 edition of "God Love, Man Kills"
--Claremont intro and Frank Miller afterword for 1987 edition of Wolverine TPB
--Cover art for collected previous collected editions
Marvel Masterworks are high quality and frankly gorgeous hardcover reprints of iconic comic books. Like the previous volume in this series, see Marvel Masterworks: The Uncanny X-Men Volume 8, this volume collects a span of comics from 1982/83 (the Wolverine series was originally printed in 1982 and the Uncanny X-Men were published in 1983). This collection contains some of the best writing in the history of the X-Men. These stories are all written by Chris Claremont and their quality justifies Claremont's status in the pantheon of legendary comic book writers.
Several of the stories collected here are the basis for recent big-screen adaptations. Notably the graphic novel "God Loves, Man Kills" was adapted to X2: X-Men United [Blu-ray]. The core message against prejudice articulated in this graphic novel has become one of the central philosophical underpinnings of the entire franchise.
Wolverine's adventure in Japan was loosely adapted for The Wolverine (Blu-ray) . The silver-screen adjustments to the particulars notwithstanding, Wolverine in Japan sets the bar for every Wolverine story after this one. The tragic romance with Mariko, the feudal honor bound society, all come together in the most memorable X-Men story arc ever penned.
If you recently decided to start reading comics because of the recent X-Men/Wolverine movies, then this volume is a great one to pick up because it has the original source material for two of the films. If, like me, you've come to appreciate the solid binding and thick glossy paper of the Masterworks line, then you'll love seeing some of the best X-Men issues presented better than they ever were as magazines.
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